Suggestions for Further Reading
● Donald Bogle, Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in America, 3rd ed. (New York: Continuum, 1994).
● Pearl Bowser and Louise Spence, Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (New Brunswick: Rutgers University Press, 2000).
● Pearl Bowser, Jane Gaines, and Charles Musser, eds. Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era (Bloomington: Indiana University Press, 2001).
● Thomas Cripps, Slow Fade to Black: The Negro in American Film, 1900-1942 (New York: Oxford University Press, 1977).
● J. Ronald Green, Straight Lick: The Cinema of Oscar Micheaux (Bloomington: Indiana University Press, 2000).
● Robert Lang, ed. The Birth of a Nation (New Brunswick: Rutgers University Press, 1994).
● Daniel J. Leab, From Sambo to Superspade: The Black Experience in Motion Pictures (Boston: Houghton Mifflin, 1975).
● Dick Lehr, The Birth of a Nation: How a Legendary Filmmaker and a Crusading Editor Reignited America’s Civil War (New York: PublicAffairs, 2014).
● Barbara Tepa Lupack, ed., Early Race Filmmaking in America (New York: Routledge, 2016).
● Barbara Tepa Lupack, Richard E. Norman and Race Filmmaking (Bloomington: University of Indiana Press, 2014).
● Henry T. Sampson, Blacks in Black and White: A Source Book on Black Films, 2nd ed. (Metuchen, NJ: Scarecrow Press, 1995).
● Richard Schickel, D.W. Griffith: An American Life (New York: Simon and Schuster, 1984).
● Seymour Stern, D.W. Griffith’s 100th Anniversary The Birth of a Nation (Friesen Press, 2014).
● Melvyn Stokes, D. W. Griffith’s The Birth of a Nation: A History of “The Most Controversial Motion Picture of All Time,” Illustrated Edition (New York: Oxford University Press, 2007).